PCM stands for pulse code modulation. In the context of audio coding PCM encodes an audio waveform in the time domain as a series of amplitudes.
PCM audio is coded using a combination of various parameters.
This parameter specifies the amount of data used to represent each discrete amplitude sample. The most common values are 8 bits (1 byte), which gives a range of 256 amplitude steps, or 16 bits (2 bytes), which gives a range of 65536 amplitude steps. Other sizes, such as 12, 20, and 24 bits, are occasionally seen. Some king-sized formats even opt for 32 and 64 bits per sample.
When more than one byte is used to represent a PCM sample, the byte order (big endian vs. little endian) must be known. Due to the widespread use of little-endian Intel CPUs, little-endian PCM tends to be the most common byte orientation.
It is not enough to know that a PCM sample is, for example, 8 bits wide. Whether the sample is signed or unsigned is needed to understand the range. If the sample is unsigned, the sample range is 0..255 with a centerpoint of 128. If the sample is signed, the sample range is -128..127 with a centerpoint of 0. If a PCM type is signed, the sign encoding is almost always 2's complement. In very rare cases, signed PCM audio is represented as a series of sign/magnitude coded numbers.
Channels And Interleaving
If the PCM type is monaural, each sample will belong to that one channel. If there is more than one channel, the channels will almost always be interleaved: Left sample, right sample, left, right, etc., in the case of stereo interleaved data. In some rare cases, usually when optimized for special playback hardware, chunks of audio destined for different channels will not be interleaved.
Frequency And Sample Rate
This parameter measures how many samples/channel are played each second. Frequency is measured in samples/second (Hz). Common frequency values include 8000, 11025, 16000, 22050, 32000, 44100, and 48000 Hz.